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・ Emilie Bieber
・ Emilie Bigelow Hapgood
・ Emilie Blackmore Stapp
・ Emilie Boon
・ Emilie Brown
・ Emilie Bydwell
・ Emilie Béatrice Epaye
・ Emilie da Fonseca
・ Emilie de Morsier
・ Emilie de Ravin
・ Emilie Demant Hatt
・ Emilie Demers Boutin
・ Emilie Esther
・ Emilie Flygare-Carlén
・ Emilie Francati
Emilie Frances Bauer
・ Emilie Gourd
・ Emilie Haavi
・ Emilie Halpern
・ Emilie Hammarskjöld
・ Emilie Hegh Arntzen
・ Emilie Högquist
・ Emilie Kempin-Spyri
・ Emilie Lehmus
・ Emilie Lieberherr
・ Emilie Loring
・ Emilie Louise Flöge
・ Emilie Luzac
・ Emilie M. Hafner-Burton
・ Emilie Marie Nereng


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Emilie Frances Bauer : ウィキペディア英語版
Emilie Frances Bauer
Emilie Frances Bauer (pseudonym: Francisco di Nogero; March 5, 1865 Walla Walla, Washington – March 9, 1926 Manhattan, New York) was an American music critic and pianist. She studied music with her father, Jacques Bauer (1834–1890), Miguel Espinosa in San Francisco, and at the Paris Conservatoire. She taught piano in Walla Walla and Portland Oregon. She was a music critic for ''Portland Oregonian,'' editor for the ''Musical Courier,'' music teacher in Boston (1896), editor for ''The Musical Leader'' (1900–1926),〔Susan Pickett, ''From the Wild West to New York Modernism,'' The Maud Powell Signature, Women in Music, pg 40 (June 2008)〕 editor of a women's page in ''The Etude'' (1902–1903), critic for the ''New York Evening Mail'' (1906-1912), weekly contributor to the ''San Francisco Chronicle,'' ''Portland Oregonian'' and the ''Concertgoer.'' She was the sister of composer Marion Bauer.
== References ==



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